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"Well, run along then. I best keep right on. Your poor Ma'll be needin' me.",

"What did she say?",

"All right then. Now listen. This mornin' I tied my Sunday clothes up an' throwed 'em out our winder. Then I got up an' sneaked 'em over to the menagerie. I'm goin' to wear 'em to school. Never you mind why, it's none of your business. When I blow into school this mornin' dressed to kill I don't want you to look too darned surprised, that's all. Now if you'll keep your mouth shut tight about that I promise not to let my witch-coon an' witch-crow eat you while you sleep; an' I'll tell you what else I'll do, I'll give you my tart an' my doughnut. Is it a bargain?",

"Well, it might as well be one thing as another," frowned the woman. "That boy catches everythin' that comes along, anyway. I s'pose I'll have to quit my preservin' to mix him up a dose of allaways."

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Lucy heard a church bell strike: she started from a fit of abstraction, and, turning to move on, confronted an old man who was crossing the bridge. The face of this old man was pale and wrinkled; his hair was long and quite white. His nose streamed down his face in a thin, curling outline; his mouth when his lips were compressed might be expressed by a simple stroke of a pencil.[Pg 30] His eyes were deep-seated and extraordinarily luminous and swift in their motions, and his eyebrows, which were as white as his hair, were so thick and overhanging that they might have passed for a couple of white mice sleeping on his brow. His apparel had that dim and faded look which in fiction is associated with miserliness. His high and dingy white cravat and the tall build of his coat at the back of his head, so sloped his shoulders that they looked to make a line with his arms. He wore a faded red waistcoat which sank very low, and under it dangled a bunch of seals. His knee-breeches left painfully visible the pipe-stem shanks clothed in grey hose and terminating in large shoes, burdened with steel buckles.,

"No, sir," she answered. "I am not returning to Old Harbour House—not immediately. I am going to the Harbour—I am going for a little walk.",

Of this man, a toothless salt whose face was like an old potato, dark with the weather of[Pg 34] vanished days and covered with warts, an affecting story was told: it was evening, and the room was full of seafaring men, and this man, whose name was John Halliburton, sat at the table with a long clay pipe trembling in one hand and a glass of hot rum and water in reach of the other. Several songs had been sung by members of the company, and some one, by way of a joke, asked old John to oblige. To the amazement of everybody the old man put down his pipe, took off his hat, out of which he drew a large red handkerchief with which he polished his face, and then, fixing his lustreless eyes upon the man who had asked him to sing, broke into a song in a strange, quivering, fitful note, as though you should hear a drunken sailor singing in a vault. The assembly was hushed into deep stillness. It was certainly a most unparalleled circumstance for old John to sing. In the middle of the second verse, some old nautical ballad popular fifty years before, he stopped, put his handkerchief into his hat, and his hat upon his head, and resumed his pipe, gazing vacantly at the man who had asked him to sing.,

"I am much obliged to you, sir, for your information," he said to Mr Adams. "We may find her at home, sir," he said, addressing the Admiral. "An explanation will simplify the miraculous. Good day, sir, and many thanks."